Video Post-Production Services in Singapore by Epitome Collective
Post-Production Services in Singapore
Epitome Collective is a Singapore video post-production company that finishes what great footage starts, working with brands, agencies, and production houses including JBL, the Ministry of Health, Open Eden, and Simmons. The team covers every discipline between raw footage and a finished, broadcast-ready asset, from editing and colour grading to VFX, motion graphics, sound design, and finishing across eight post-production services. Tool-agnostic and format-flexible, the team edits in Premiere Pro, DaVinci Resolve, Avid Media Composer, and Final Cut Pro, grades in DaVinci Resolve and Baselight, and mixes in stereo, 5.1, 7.1, and Dolby Atmos. Turnaround scales to the job, with a simple social cutdown delivered same-day and review run through Frame.io with timestamped feedback.
Epitome Collective is a Singapore video post-production company that finishes what great footage starts, working with brands, agencies, and production houses including JBL, the Ministry of Health, Open Eden, and Simmons. The team covers every discipline between raw footage and a finished, broadcast-ready asset, from editing and colour grading to VFX, motion graphics, sound design, and finishing across eight post-production services. Tool-agnostic and format-flexible, the team edits in Premiere Pro, DaVinci Resolve, Avid Media Composer, and Final Cut Pro, grades in DaVinci Resolve and Baselight, and mixes in stereo, 5.1, 7.1, and Dolby Atmos. Turnaround scales to the job, with a simple social cutdown delivered same-day and review run through Frame.io with timestamped feedback.
Video Post-Production Services in Singapore by Epitome Collective
Post-Production Services in Singapore
- Holds a 5.0-star rating on Google
- Covers eight post-production services: editing, colour grading, VFX, motion graphics, sound design, and finishing
- Edits in Premiere Pro, DaVinci Resolve, Avid Media Composer, and Final Cut Pro; grades in DaVinci Resolve and Baselight
- Mixes in stereo, 5.1, 7.1, and Dolby Atmos; simple social cutdowns delivered same-day
- Review run through Frame.io with timestamped feedback; post-production delivered for JBL, the Ministry of Health, Open Eden, and Simmons
- “Really good working experience with the producers at Epitome. From pre production to post production.” (Grace Tan, Google review)
Epitome Collective is a Singapore video post-production company that finishes what great footage starts, from edit and grade to VFX, sound, and final delivery.
Featured Work
films
Post-production services we deliver
Whether you need a single edit turned around overnight or a full post pipeline managed from ingest to final delivery, we cover every discipline that sits between raw footage and a finished, broadcast-ready asset.
01
Video editing and offline assembly
Story-driven editorial from rough cut to picture lock. We work in Premiere Pro, DaVinci Resolve, Avid Media Composer, and Final Cut Pro, cutting across commercial, corporate, documentary, and social formats. Multicam assembly, paper edits, jump cut social reels, and long-form narrative: we match our approach to the format and the audience.
02
Colour grading and colour correction
From technical correction that balances exposure, white balance, and skin tones to full creative grading that sets the mood, tone, and visual identity of your film. We grade in DaVinci Resolve and Baselight, deliver in Rec.709, DCI-P3, and HDR, and work natively with LOG, RAW, and ACES workflows. Every grade is monitored on calibrated reference displays.
03
Visual effects and compositing
Clean-up VFX, screen replacements, sky swaps, object removal, rotoscoping, tracking, keying, and CG integration. We handle both invisible effects that fix production problems and creative VFX that add elements your camera never captured. Delivered through After Effects, Nuke, and Fusion pipelines.
04
Motion graphics and titles
Animated lower thirds, title sequences, data visualisations, infographic overlays, logo animations, and branded graphic packages. Whether you need a single end card or a full motion system across a 20-episode series, we design and animate to your brand guidelines.
05
Sound design, mixing, and audio post production
Dialogue editing, noise reduction, ADR cleanup, Foley, sound effects layering, music licensing support, and final stereo or surround mix. We work in Pro Tools and Audition, and deliver broadcast-compliant audio to EBU R128 and ATSC A/85 loudness standards.
06
Conform and online finishing
We take your locked offline edit, relink to the original camera media, apply final grades and effects, add titles and graphics, and prepare masters for delivery. This includes format QC, technical compliance checks, and export to every spec your distributor, broadcaster, or platform requires.
07
Format conversion and platform delivery
Encoding and transcoding to every major delivery spec: ProRes, H.264, H.265, DNxHR, IMF, DCP, and AS-11. We handle aspect ratio reformatting, safe area adjustments, subtitle burn-in, and platform-specific metadata for YouTube, Vimeo, broadcast, and social.
08
Subtitling, captioning, and localisation
Open and closed captions, SRT and VTT subtitle files, burned-in subtitles for social, and multi-language localisation. We handle transcription, translation, timing, and typesetting, and can sync to re-recorded voiceover where required.
Post-production
Portfolio
commercial, corporate, documentary, social, and broadcast.
Express Video Editing and Quick-Turnaround Edits
When a launch moves up or a cut is due tomorrow, the deadline does not flex, so we do. Our post team holds capacity for urgent work, so an edit that has to ship today does not sit in a queue behind everything else
- Same-day social cutdowns when the brief lands in the morning and the post is due by night
- Express edits for launches, pitches, and event recaps on a compressed timeline
- Colour, sound, and graphics handled by one team, so nothing waits on a handoff
- Frame.io review with timestamped notes, so approvals move as fast as the edit
Software and formats we work with
We are tool-agnostic and format-flexible. Whatever your production shot on and wherever it needs to go, we can ingest it, work with it, and deliver it.
01
Editing
Adobe Premiere Pro, DaVinci Resolve, Avid Media Composer, Final Cut Pro X. We match the NLE to the project and can work within your existing project files if you need us to pick up where your in-house team left off.
02
Colour
DaVinci Resolve, Baselight. We work natively with ARRI LogC, Sony S-Log, RED IPP2, Canon C-Log, Blackmagic Film, and ACES colour management. HDR delivery in Dolby Vision, HDR10, and HLG.
03
VFX and Motion Graphics
After Effects, Nuke, Fusion, Cinema 4D, Blender. From simple composites and screen replacements to complex CG integration and particle effects.
04
Audio
Pro Tools, Adobe Audition, Logic Pro. Stereo, 5.1, 7.1, and Dolby Atmos mixing. Loudness compliance to EBU R128, ATSC A/85, and platform-specific standards.
05
Delivery Formats
ProRes 422/4444, DNxHR, H.264, H.265/HEVC, IMF, DCP, AS-11, MXF. We deliver to broadcast TX specs, streaming platform ingest requirements, social media upload specs, and cinema exhibition standards.
What brands say after the final cut
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Got the footage? Leave the rest to us
From a same-day cutdown to a full grade and mix, tell us about your project below and we will be in touch.
Post-production services FAQs
The questions we hear most often from teams scoping editing, colour, sound, and finishing work.
Can you work with footage we have already shot, or do we need to shoot with you?
Both. You can send us footage you have already shot, or bring us in from the start. Most post-production clients work with us purely on the edit, finishing, and delivery side, sending camera files, project files, or rough cuts from their own shoots or other production partners. We accept media from any camera system, codec, and resolution.
What is the difference between colour correction and colour grading?
Colour correction is technical: balancing exposure, fixing white balance, matching shots across a scene so everything looks consistent. Colour grading is creative: establishing a visual mood, tone, and look that supports the story. We do both, and they are typically handled together in the same session.
Can you add visual effects to footage that was not shot with VFX in mind?
Yes, within limits. Clean-up effects like object removal, sky replacement, screen insertion, and stabilisation work on most well-shot footage. More complex compositing may require specific plate information or tracking markers. We will assess your footage and tell you honestly what is achievable before you commit.
How fast can you turn around edits?
It depends on scope. A simple social cutdown can be delivered same-day. A full commercial edit with grading and sound typically takes three to five working days. Documentary and long-form projects are scoped individually. We do also provide urgent editing service. If you have a hard deadline, tell us upfront and we will build the schedule around it.
Do you work in our editing software, or do we need to adapt to yours?
We work in Premiere Pro, DaVinci Resolve, Avid Media Composer, and Final Cut Pro. If you need us to pick up an existing project, we can open your session files and continue from where your team left off. No re-conforming, no lost metadata.
Can you handle high-volume content production on an ongoing basis?
Yes. We regularly support content pipelines that require weekly or monthly delivery of edited, graded, and formatted video across multiple platforms. We structure these as retainer engagements with dedicated editors and agreed turnaround windows.
What delivery formats do you support?
Everything from ProRes masters and broadcast TX files to H.264 social uploads and DCP cinema packages. We deliver to platform-specific specs for YouTube, Vimeo, Meta, TikTok, LinkedIn, and broadcaster ingest requirements. If you have a custom delivery spec, send it over and we will match it.
How do review rounds and feedback work?
We share review links through Frame.io or a platform of your choice. You leave timestamped comments directly on the video. We consolidate feedback and implement in a single pass. Two review rounds are included in every project, with additional rounds available at a quoted rate.
Can you provide post-production for content in multiple languages?
Yes. We handle subtitle creation, caption files in SRT and VTT, burned-in subtitles for social, and can manage multi-language voiceover recording and sync. For localised versions, we create separate masters with region-specific graphics and text where needed.
What do you need from us to get started?
Your footage or project files, a brief on the intended output, and any brand or style guidelines that apply. If you have reference videos showing the look or feel you are after, those are helpful. We will review the material, confirm scope, and send a quote before any work begins.